Friday, April 17, 2009
Hot Summer Day at India Gate
India Gate at 12 noon on HOT summer day
The India Gate is one of the largest war memorials in India. Situated in the heart of New Delhi, India Gate was designed by Sir Edwin Lutyens. It is a prominent landmark in Delhi and commemorates the members of the erstwhile British Indian Army who lost their lives fighting for the Indian Empire in World War I and the Afghan Wars. Originally, a Statue of King George V had stood under the now-vacant canopy in front of the India Gate, and was removed to Coronation Park with other statues. Following India's independence, India Gate became the site of the Indian Army's Tomb of the Unknown Soldier, known as the Amar Jawan Jyoti
The India Gate is one of the largest war memorials in India. Situated in the heart of New Delhi, India Gate was designed by Sir Edwin Lutyens. It is a prominent landmark in Delhi and commemorates the members of the erstwhile British Indian Army who lost their lives fighting for the Indian Empire in World War I and the Afghan Wars. Originally, a Statue of King George V had stood under the now-vacant canopy in front of the India Gate, and was removed to Coronation Park with other statues. Following India's independence, India Gate became the site of the Indian Army's Tomb of the Unknown Soldier, known as the Amar Jawan Jyoti
The Dome of Rashtrapati Bhawan at 37 Degrees celcius.
The Dome of Rashtrapati Bhawan between North Block and South Block. The dome in the middle involved a mixture of Indian and British styles. In the centre was a tall copper dome surmounted on top of a drum, which stands out from the rest of the building, due to its height. The dome is exactly in the middle of the diagonals between the four corners of the building. The dome is more than twice the height of the rest of the building. The height of the dome was raised by Lord Hardinge in the plan of the building in 1913. The dome combines classical and Indian styles. Lutyens said the design evolved from that of the Pantheon in Rome, while it is also possible that it was modelled after the great Stupa at Sanchi. A porch goes around the dome with evenly spaced columns which support the dome, with an open area between the columns. Because this goes the whole way round, it makes the dome appear from any angle that it is ‘floating’ as seen in the heat haze of Delhi. The reinforced concrete shell of the outer dome began to take shape near the start of 1929. The last stone of the dome was laid on April 6, 1929. However the copper casing of the dome was not laid until 1930.
During the Delhi Durbar year of 1911, it was decided that the capital of India would be shifted from Calcutta to Delhi. This was announced on December 12 by King George V. As the plan for New Delhi took shape, the Governor-General's residence was given an enormous scale and prominent position. The British architect Edwin Landseer Lutyens, a key member of the city-planning process, was also given the prime architectural opportunity of into. The palace developed very similarly to the original sketches which Lutyens sent Baker from Shimla on June 14, 1912. Lutyens' design is grandly classical overall, with colors and details inspired by Indian architecture.
Lutyens and Baker who had been assigned to work on the Viceroy’s House and the Secretariats, began on friendly terms, although they later quarrelled. Baker had been assigned to work on the two secretariat buildings which were in front of Viceroy’s House. Early on in the design process, Viceroy’s House was decided to be moved from the original position on the top of Raisina Hill. The original plan was to have Viceroy’s House on the top of the hill, with the secretariats lower down. It was decided to move it back 400 yards, and put both buildings on top of the plateau. While Lutyens wanted the Viceroy’s house to go higher up, he was forced to move it back from the intended position due to a dispute with Baker. Following the completion of the palace, Lutyens fought with Baker, because the view of the front of the palace was obscured by the high angle of the road.Lutyens regarded this as his ‘Bakerloo’ (a reference to Waterloo) because he campaigned for its fixing, but was not able to get it to be changed. Lutyens wanted to make a long inclined grade all the way to Viceroy’s house with retaining walls either side. While this would give a view of the house from further back, it would also cut through the square between the secretariat buildings. The committee with Lutyens and Baker established in January 1914 said the grade was to be no steeper than 1 in 25, though it eventually was changed to 1 in 22, a steeper gradient which made it more difficult to see the Viceroy’s palace. While Lutyens knew about the gradient, and the possibility that the Viceroy’s palace would be obscured by the road, it is thought that Lutyens did not fully realise how much the front of the house would not be visible. In 1916 the Imperial Delhi committee dismissed Lutyens’ proposal to alter the gradient. Lutyens thought Baker was more concerned with making money and pleasing the government, rather than focusing on making a good architectural design.
Lutyens travelled between India and England almost every year for twenty years, to work on the building of the Viceroy’s house in both countries. Lutyens had to reduce the building size from 13 to 8.5 million cubic feet (240,000 m3) because of the budget restrictions of Lord Hardinge. While he had demanded that costs be cut, he nevertheless wanted the house to retain a certain amount of ceremonial grandeur.
Parliament House
The layout of the palace is designed around a massive square, although there are many courtyards and open inner areas within. There are separate wings for the Viceroy, and another wing for guests. The Viceroy’s wing is a separate four-storey house in itself, with its own court areas within. The wing was so large that the first president of India decided not to stay there, staying in the guest wing, a tradition which was followed by subsequent presidents. At the centre of the main part of the palace, underneath the main dome, is the Durbar Hall, which was known as the Throne Room during British rule when it had thrones for the Viceroy and his wife. The interior of this room and almost all the rooms of the palace are bare, relying on the stonework and shapes to show an austerity rather than intricate decoration. In the hall, the columns are made in ‘Delhi’ order which combines vertical lines with the motif of a bell. The vertical lines from the column were also used in the frieze around the room, which could not have been done with one of the traditional Greek orders of columns. The hall has a 2-ton chandelier which hangs from a 33-metre height. On each of the four corners of the hall is a room, including two state drawing rooms, a state supper room and the state library. There are also other rooms such as many loggias (galleries with open air on one side) which face out into the courtyards, a large dining hall with an extremely long table, sitting rooms, billiards rooms, and a large ball room, and staircases. Water features are also through the palace, such as near the Viceroy’s stairs, which has eight marble lions spilling water into six basins. The lions symbolise Britain, as the lion was often used for this purpose. There is also an open area in one room to the sky, which lets in much of the natural light.
During the Delhi Durbar year of 1911, it was decided that the capital of India would be shifted from Calcutta to Delhi. This was announced on December 12 by King George V. As the plan for New Delhi took shape, the Governor-General's residence was given an enormous scale and prominent position. The British architect Edwin Landseer Lutyens, a key member of the city-planning process, was also given the prime architectural opportunity of into. The palace developed very similarly to the original sketches which Lutyens sent Baker from Shimla on June 14, 1912. Lutyens' design is grandly classical overall, with colors and details inspired by Indian architecture.Lutyens and Baker who had been assigned to work on the Viceroy’s House and the Secretariats, began on friendly terms, although they later quarrelled. Baker had been assigned to work on the two secretariat buildings which were in front of Viceroy’s House. Early on in the design process, Viceroy’s House was decided to be moved from the original position on the top of Raisina Hill. The original plan was to have Viceroy’s House on the top of the hill, with the secretariats lower down. It was decided to move it back 400 yards, and put both buildings on top of the plateau. While Lutyens wanted the Viceroy’s house to go higher up, he was forced to move it back from the intended position due to a dispute with Baker. Following the completion of the palace, Lutyens fought with Baker, because the view of the front of the palace was obscured by the high angle of the road.Lutyens regarded this as his ‘Bakerloo’ (a reference to Waterloo) because he campaigned for its fixing, but was not able to get it to be changed. Lutyens wanted to make a long inclined grade all the way to Viceroy’s house with retaining walls either side. While this would give a view of the house from further back, it would also cut through the square between the secretariat buildings. The committee with Lutyens and Baker established in January 1914 said the grade was to be no steeper than 1 in 25, though it eventually was changed to 1 in 22, a steeper gradient which made it more difficult to see the Viceroy’s palace. While Lutyens knew about the gradient, and the possibility that the Viceroy’s palace would be obscured by the road, it is thought that Lutyens did not fully realise how much the front of the house would not be visible. In 1916 the Imperial Delhi committee dismissed Lutyens’ proposal to alter the gradient. Lutyens thought Baker was more concerned with making money and pleasing the government, rather than focusing on making a good architectural design.
Lutyens travelled between India and England almost every year for twenty years, to work on the building of the Viceroy’s house in both countries. Lutyens had to reduce the building size from 13 to 8.5 million cubic feet (240,000 m3) because of the budget restrictions of Lord Hardinge. While he had demanded that costs be cut, he nevertheless wanted the house to retain a certain amount of ceremonial grandeur.
Parliament House The Parliament House (Sansad Bhavan) is a circular building designed by the British architects Sir Edwin Lutyens and Sir Herbert Baker in 1912–1913. Construction began in 1921, and in 1927 the building was opened as the home of the Council of State, the Central Legislative Assembly, and the Chamber of Princes.
The roof of the outer circle of the structure is supported by 144 granite pillars. The Houses are located on Janpath, a stone's throw away from the presidential palace (Rashtrapati Bhavan).It is also seen from the India Gate.
The roof of the outer circle of the structure is supported by 144 granite pillars. The Houses are located on Janpath, a stone's throw away from the presidential palace (Rashtrapati Bhavan).It is also seen from the India Gate.
The layout of the palace is designed around a massive square, although there are many courtyards and open inner areas within. There are separate wings for the Viceroy, and another wing for guests. The Viceroy’s wing is a separate four-storey house in itself, with its own court areas within. The wing was so large that the first president of India decided not to stay there, staying in the guest wing, a tradition which was followed by subsequent presidents. At the centre of the main part of the palace, underneath the main dome, is the Durbar Hall, which was known as the Throne Room during British rule when it had thrones for the Viceroy and his wife. The interior of this room and almost all the rooms of the palace are bare, relying on the stonework and shapes to show an austerity rather than intricate decoration. In the hall, the columns are made in ‘Delhi’ order which combines vertical lines with the motif of a bell. The vertical lines from the column were also used in the frieze around the room, which could not have been done with one of the traditional Greek orders of columns. The hall has a 2-ton chandelier which hangs from a 33-metre height. On each of the four corners of the hall is a room, including two state drawing rooms, a state supper room and the state library. There are also other rooms such as many loggias (galleries with open air on one side) which face out into the courtyards, a large dining hall with an extremely long table, sitting rooms, billiards rooms, and a large ball room, and staircases. Water features are also through the palace, such as near the Viceroy’s stairs, which has eight marble lions spilling water into six basins. The lions symbolise Britain, as the lion was often used for this purpose. There is also an open area in one room to the sky, which lets in much of the natural light. ( Content Courtesy: Wikipedia)
Wednesday, April 15, 2009
Summer skyline of Delhi
Janpath X roads at STC building.
Rashtrapati Bhawan in the background
NDMC tower standing tall
Hotel Imperial, JanpathReckoned amongst Asia’s finest hotels, The Imperial is a legend that offers a unique experience embracing facets of India’s history.
The 24 king palms, that lead up to the porch, stand a witness to the creation of New Delhi. Built in 1931 by Bromfield, a Lutyens’ associate, the Hotel is known for its contemporary colonial style. As New Delhi’s landmark Hotel, it is located on Janpath, the erstwhile Queensway. It is steps away from the renowned shopping district and major city attractions and a half-hour drive from the international airport.
History
The Imperial is an ode to India’s independence from the British Raj and was built as a jewel in the crown of the outgoing rulers. The Imperial boasts a rich historical past with an awe-inspiring heritage and a truly international appeal.
The Imperial was built and run by S.B.S. Ranjit Singh, son of R.B.S. Narain Singh who was honoured by the British Government for his commendable work on 1911’s Coronation Durbar where New Delhi was declared the new Capital of India.
It was Lady Willingdon who gave the name ‘The Imperial’ to the Hotel and conferred the lion insignia upon the Hotel.
FACILITIES AT A GLANCE
Residential 233 rooms - 190 rooms and 43 suites
Food & BeverageRestaurants – 1911, San Gimignano, The Spice Route, Daniell’s Tavern, The Atrium Patisserie – La Baguette
Bars Patiala Peg, 1911 Bar
Leisure & Entertainment Shopping precinct including India’s first and only Chanel store.
Fitness Centre, Swimming Pool, Beauty Salon and Barber Shop, Live entertainment at Daniell’s Tavern, Art Galleries. Museums, Historical monuments and Shopping (nearby).
Meetings, conventions & Events Royal Ballroom, Emily Eden Room, Hodges Room, a private meeting room for 6 persons on request, The Imperial Lawns.
Gardens & Courtyards Three acres of lush greens, Royal palms, a remarkable number of species of trees, palms, ferns, flowering plants and shrubs.
Tel +91 11 2334 1234 / 4150 1234
Fax +91 11 2334 2255
mailto:luxury@theimperialindia.com
Numerical script
The present day numericals 0,1,2,3,4,5,6,7,8,9 are known as indo-arabic numerical scripting.here I have given a general prediction how the scripting was evovled.The prediction is very simple and based on commonsense.
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